As a high school student, looking at colleges, I had only one thing truly fixed in my mind: I really like Japan. Armed with that thought, I went college hunting. By the time I got to Union College, I had been to half a dozen states, and seen more than a dozen other colleges. And yet, with Union, something felt different. There was a different vibe in the air, a new sense of interaction...it took me about half the campus tour to realize that what was different to me was that students were interacting with professors--regularly! They were chatting in the halls, in offices, outside of Dutch Hollow Restaurant, by the Starbucks kiosk. As a matter of fact, by the end of that day, I had already spoken to the Chair of the East Asian Studies Department about opportunities at Union. To say the least, I was hooked.
After I entered Union, it only got better. My professors were accessible, and down-to-earth. I have formed relationships with professors both within my chosen disciplines and in departments I rarely have a reason to enter: History, Music, Computer Science, Political Science and Physics, just to name a few. As a senior this year, it makes me happy to know that I have created relationships with members of the faculty that will stretch beyond my years at Union.
Some of the best experiences I have had with professors have been outside of the normal, run-of-the-mill classroom experience. Undergraduate research is vibrant on campus, and is available to students in every department. The summer after my sophomore year, I worked closely with Professor Bradley Lewis in the Economics department, researching banking and financial crises in the US and Japan, and how the two nations can relate to and learn from each other. I spent the entire summer on campus, reading primary source materials such as newspaper articles and interoffice memos, as well as secondary sources from scholars on economics, politics and anthropology. Together with Prof. Lewis, I wrote a critical paper on banking crises on two sides of the globe, which has been sent out to a number of journals in the hopes of having our research published.
The summer before my senior year, I also did summer research. This time, however, I completely changed gears. Professor Jennifer Milioto Matsue is a Union professor with whom I have had a close relationship since my first year. She finds her home at Union in three different departments: East Asian Studies, Music, and Anthropology. She teaches a class called Popular Music in Modern Japan, which was one of my first classes on campus, and she inspired me to think outside the box of my interest in Japanese Political Economics. She is also the leader and director of Union’s Japanese taiko drumming ensemble, called Zakurodaiko (石榴太鼓), which means “garnet drums” in Japanese (a clever play on Union’s school colors of garnet and silver). I have been fortunate enough to be a part of the taiko ensemble for two years, and have worked very closely with Prof. Matsue over that time.
During spring term of my junior year, I met with Prof. Matsue to see if she had any ideas for a summer research project. Prof. Matsue knew that I was interested in politics and economics in Japan, and that my goal after graduation was law school. But from past conversations, she also knew that I sing in Union’s all-female a cappella group, the Garnet Minstrelles, and that I had had an interest in music and performance in high school. She told me it was time for a break from the stress of politics and economics, and that maybe, just maybe, I should try something a bit different for the summer.
As a result of our conversation, I found myself researching East Asian oral narrative performance--or, as it is more commonly known, storytelling. I looked to Japan, Korea, and China for inspiration, and created a performance piece based on a Japanese legend. Prof. Matsue and I worked together almost everyday to create the piece, refine it, and add creative flair. I used traditional Japanese instruments and clothes, and told a Japanese story, but I drew on other Asian cultures for my methods of conveying emotion and personality in each character. When I had a creative block, Prof. Matsue would always come join me in the practice room, sit down with me, and work it out. The research was new territory for us both, but we worked on it together to synthesize a new piece, based on old traditions.
At the end of the summer, just before Prof. Matsue left to do her own research in Japan for a year, I performed my piece on the back patio of the Reamer Campus Center in front of an audience of my peers, my professors, my co-workers and even my mom. Prof. Matsue was right--it felt really nice to try something a little different, and combine so many of my interests into something new and exciting. After my performance, various professors and deans came up to me to talk to me about my research, and ask questions about my performance.
The professors at Union are a big part of the reason I am so happy at the school (and do not want to leave come June). They care about you as a person, not as a number or a body in the classroom. They share with you just as much as you share with them, and it makes learning that much more interactive and fun.
Casey Sheridan '10





